On most Pichvais Krishna is the central character of a specific story, yet here he is absent

Imagine being a devotee of the God of Love – Krishna – in 17th century India. Each time you prayed you would be overcome with a wave of joy; your days would be spent in a celebration of earthly life as opposed to pious asceticism; and at countless festivals you would be given the opportunity to express your devotion. Worshipping Krishna was a lush experience. When you did so, you would be surrounded by a super abundance of offerings, song, and when it came to art, paintings known as Pichvais.    

When worshiping Krishna, you would be surrounded by a super abundance of offerings, song, and when it came to art, paintings known as Pichvais

Featured is a unique antique Pichvai. Its natural vegetable colors have softened over time and its patina attests to its attendance at countless festivals. It depicts milkmaids and cow herders convening in the forest; but where is Krishna? On most Pichvais he is the star of the show, the central character of a specific story.  Here, he is conspicuously absent. Yet, look closely. This Pichvai doesn’t just tell a story; it conveys a message. The lotus flowers in the foreground; the cows, people, trees, even the clouds in the pastel sky illustrate love is to be found in all things, even when it appears to be hiding.

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